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Grass for His Pillow by Lian Hearn

September 20th 2006 02:19
Grass For His Pillow is the second novel of Lian Hearn's eminently likeable fantasy series, Tales of Otori.

The villain Iida has been killed in the first novel and so has Otori Shigeru, our hero Takeo's protector. There is a new player called Arai around who has taken advantage of the situation to build his own kingdom.

Takeo was made to pledge his life to the tribe, a secret gang of thieves and assassins and he is taken to their secret stronghold to be trained in the Tribe's killing ways. But as a child Takeo was brought up among the Hidden, a non-violent group loosely based on Japanese Christians, and his soul rebels at the thought of killing as a way of life. The way the Tribe treated his adoptive brother does not help matters either.


Grass on His Pillow by Lian Hearn


On the other side, Kaede has gone to her paternal home Maruyama. She is shocked to find the whole region in disrepair and close to ruin and strives to make it functional again. But, the domain is surrounded by lords whose interests are suspect and she has to tread in dangerous waters.

Though initially Takeo and Kaede decide to stay apart, they cannot stop their passion for each other and the rush into an ill-advised marriage which runs her afoul of powerful lords and alienates him from the Tribe. Takeo is helped by a good Samaritan called Jo-An, who is one of the Hidden. He takes Takeo to a wise woman who prophesizes about the battles Takeo has yet to wage.


As in Across the Nightingale's Floor, the first novel in the series, the action is fast-paced and the scenery lush. And just like its predecessor, the climax in this book too is a huge letdown. Nevertheless, for sheer entertainment there is nothing to beat this series.
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Blade of Fortriu by Juliet Marillier

September 17th 2006 10:13
Blade of Fortriu by Juliet Marillier
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I do not know why but I have this habit of reading a series in reverse. I began reading Harry Potter at number four and then read numbers three, two and one. I read Roberston Davies trilogy in the same order. I read Philip Pullman’s The Amber Spyglass, the last novel of his His Dark Materials trilogy and have been trying to read the other two novels ever since. A hard task, if you ask me.

This time, I began in the middle. I read Juliet Mariller’s Blade of Fortriu, the second novel of Bridei Chronicles trilogy before I read the first one. Marillier I marked for intimate acquaintance, once I had read her Daughter of the Forest. So, I am not ashamed I began in the middle.

Bridei is the recently crowned king of Fortriu who dreams of driving the Gael invaders from his homeland. He sends Ana, a royal hostage in his court, to be the wife of Alpin. Alpin’s alliance is necessary if Bridei is to prevail.

The task of negotiating the marriage and the treaty falls on the head of Faolan, Bridei’s bodyguard with a dark past. Ana and Faolan start on a wrong note but it is not long before Faolan falls in love with Ana. They start their embassy on a weak foot when the rest of their entourage is washed away in a flash flood. Alpin is rough, vulgar and uncouth and Ana wonders how she can marry this man when she spots the family secret. Alpin has a brother, who is secretly stowed away. Drustan may be slightly mad but he is hauntingly handsome and it is not long before Ana falls in love with him and the love triangle is set up.

The good thing about this novel is that the romance does not joltingly morph into a fairy tale, as in Daughter of the Forest.But, Marillier’s strength is not so much her plotting or action but her beautiful narrative voice and this novel has a lot of action which mars the narrative’s pitch from settling down.

All things considered, this is one acquaintance I would like to keep.
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The Tower of Ravens by Kate Forsyth

September 14th 2006 05:55
The Tower of Ravens by Kate Forsyth

Kate Forsyth is one of the more promising young Australians who are increasingly working on the fantasy genre. I read somewhere that some of the top books written by Aussies these days are fantasies written by Australians. I think overall the fantasy genre is having a great boom here. Forsyth is not good as Juliet Marillier or as original as Lian Hearn but much better than Cecilia Dart-Thornton, Trudi Canavan or Tracy Donovan.

The Tower Of Ravens is the first of the trilogy called Rhiannon’s Ride. The trilogy is great fun because it features a beautiful heroine against whom so much injustice is piled up that you want to scream loudly. By the second book, you want to throw whatever you have in your hand at those evil schemers who plot against Rhiannon. Unfortunately, they are all there in a book.

Rhiannon is raised in a herd of satyricons. She is cruelly treated because she des not have a fully grown horn because her mother mated with a man. Rhiannon knows that the herd will kill her one of these days, so she plans to escape. She gets her chance when a human prisoner of the herd escapes and the herd is busy catching him. She makes her escape but has to kill the man in the process.

She does not know but the man was a soldier in the King’s service and Rhiannon running from the herd of satyricons falls into the hands of a family whose young son Lewen is also a soldier. They have a hard time restricting this wild uncivilised creature grown in the forest but soon Lewen falls in love with her even though he knows she may have been involved in the disappearance of his friend. He and his mother plan to take her to the court in the matter of the missing soldier and along the way they come across the Tower of Ravens, a sinister abode for a lord who is planning to invoke the dead and usurp the kingdom.

All in all, the book manages to entertain you through that most basic of the conventions: the damsel in distress. The damsel in question though kicks some ass. The novel loses steam in the second half where the action set in the Tower of Ravens is unexciting and standard. But I was surprised how Forsyth handled the material in the second book of he series, at the number of threads she was able to pick up from what I thought was rather a simplistic climax.


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Eaters of the Dead by Michael Crichton

September 8th 2006 03:43
Eaters of the Dead by Micheal Crichton

The other day I was mumbling against Christopher Benfrey’s review of Matthew Pearl's The Poe Shadow in which he declaimed against the blurring of lines between fiction and non-fiction which according to him shows decline in imagination and serious fiction, whatever that is. I contended that this was nothing new and had been going on for a long time. Curiously enough, I was lead to just such a book and an author who has been blurring the lines between fiction and non-fiction all through his career.

I never liked Michael Crichton as an author because he seemed incapable of writing good fiction. He always seemed to force down chunks of information down our throats and he could never turn his interesting concepts into interesting plots. Crichton, not Matthew Pearl, fits Benfrey’s assessment completely. I should have thought of Crichton sooner but I went back to him by the machinations of some divine karma.

I have been reading Beowulf this week and enjoyed it immensely. Researching about the background and historicity of the epic, I was lead to 10th century Arab traveler Ibn Fadlan independently. And because I am interested in ancient travelers, I read about Ibn Fadlan only to find that Crichton used him in his long-forgotten novel Eaters of the Dead which appeared way back in 1976.

Antonio Banderas in 13th warrior, a screen adaptation of Eaters of the Dead by Michael Crichton

I don’t know why but everybody seems to be put off by the title. The librarian whom I asked about the book positively jumped away from me as if I was indulging some dark magic or something. The book was made into a movie called 13th warrior but the movie was a flop and the book was never as a big hit as the rest of Crichton’s books.

Crichton says that he wrote the book on a dare. A friend of his had said that western epics, you know Iliad, Odyssey and that kind of stuff were not interesting any more and Beowulf was the dullest of them all. Crichton told his friend that it would be interesting if written, well, interestingly and set about writing this novel. Some conceit! I read Beowulf recently and found it gobsmackingly interesting. It is Crichton’s book that is dull. I found it interesting only because I thought it would shed light on Beowulf.

But, that proved to be a wrong idea. Ibn Fadlan travelled from Baghdad to the ancient Bulgaria ( modern Kazan on the Volga) and wrote about a tribe he called the Rus. This eventually became the name of Russians and Ibn Fadlan’s account is the first to mention Vikings. It is all tenth-century stuff though. Beowulf was written at least two centuries before that and the events in it might have happened around 6th century. But in Crichton’s book, Ibn Fadlan’s journey does not stop at Volga. On the banks of Volga, he meets the tribe of white haired Northmen, among them a wannabe leader called Buliwyf who is soon called to fight a disaster somewhere north. He takes a band of thirteen warriors along with him with Ibn Fadlan among them and the novel moves further than Fadlan had ever travelled, becoming more and more like a Rider Haggard novel in the process.

As I have said, it is Beowulf that makes this novel interesting not vice versa. Wonder what that will do to Mr.Crichton’s conceit.


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Daughter of the Forest by Juliet Marillier

Daughter of the Forest is the first novel of Juliet Marillier’s Sevenwaters trilogy. Marillier is an Australian author, born in New Zealand and is passionately interested in Celtic traditions and Daughter of The Forest includes and builds upon the Celtic just as Cecilia Dart-Thornton’s fantasy novels draw from the Scottish.

Lord Colum is the liege lord of Sevenwaters, an Irish stronghold under threat from the Britons across the sea. He is widowed and has seven children, six boys and one daughter. The six boys are all talented in one way or the other but the daughter Sorcha is a healer and all of them share a strong fraternal bond. Sorcha’s idyllic childhood is disturbed when a young Briton is captured and tortured for information. Sorcha gives in to the plan of her brother Finbar and helps the solider to escape and heal.


But their world is shattered forever when Lord Colum brings home a new wife Lady Oonagh, a Medea archetype, who is bent on acquiring power over the family. After a bit of resistance from the children, she quickly turns the brothers into swans. Sorcha alone escapes from her spell and according to the guardians of the forest, the spell can be reversed only by Sorcha, after a gruelling task of weaving six shirts from a thorny plant and not talking to anyone till she completes the task. Sorcha starts on the daunting task but there are obstacles all along the way. She has to escape the prying eyes of lady Oonagh, she is raped and tortured and when she tries to escape, she quickly falls into the hands of a group of British men.

The novel starts like a dream and quickly turns into a morally challenging fable when Sorcha and Finbar help the British prisoner escape because we are never sure of Finbar’s motives and I have not figured out whether to like him or detest him. But, the novel’s turn into the fabulous when the brothers are turned into swans, is sudden and jarring. The labours of Sorcha and the subsequent developments put it squarely within the traditional romance where the operative plot is driven based on the inability of the lovers to communicate their love to each other. The dialogue is somewhat off-key and the action lame but Marillier’s biggest strength is in her narrative. She possesses a unique, entrancing voice and a spirituality rooted in the nature which make the reading her novel a highly pleasurable task. All in all, an impressive first novel and a great fantasy.

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Across the Nightingale Floor by Lian Hearn

Lian Hearn's Across the Nightingale Floor is the first novel of the trilogy called Tales of the Otori, set in a fictitious country based on medieval Japan.

Takeo is raised in far-off village called Mino among a secret sect called the Hidden. But the powerful clan of Inuyama and their lord Iida are bent on destroying the Hidden, slaughter the villagers. A running Takeo is rescued by Otori Shigeru, of the Otori clan, who quickly takes him under his wing. Both make the perilous journey back to Hagi, the Otori stronghold, where Lord Otori declares to his surprised servants that he intends to adopt Takeo as his brother. Takeo comes to know that he resembles Shigeru's brother who was killed in a war and slowly realises that he is being groomed to take revenge on Iida. It quickly becomes apparent that Takeo has unusual skills, skills possessed by one born in the Tribe, a group of thiefs and assassins who sell their skills to the highest bidder. Soon enough Kenji, one of the tribe arrives to reclaim Takeo.

The third clan in this jigsaw are the Seishu, and Iida has designs on them too. To appease him, Kaede the eldest daughter of Shirakawa, is held as hostage to one of Iida's regional allies. Kaede grows up to be a beautiful young woman and is bethrothed to Shigeru as part of a reconciliation plan. Iida's real plans are to kill Shigeru, once he arrives for the wedding. Along the way, Kaede falls in love with Takeo.


Most of what I have described happens in the first fifty pages, so you can gauge the pace of the novel. It is paced with superb action, plenty of intrigue and romance. One has always watched with mouths agape, the incredible feats of Bruce Lee or Jet Li on screen. But to read deliciously scripted martial art scenes is another thing altogether. The biggest strength of the novel however, is its setting. The medieval Japanese country rises in all its splendour and though Hearn is spare with her words, her creation never fails to mesmerise.


Though marvellously plotted, Hearn's efforts are undone in the final act when the breath-taking climax that you were waiting for fails to materialise. The title refers to the nightingale floor Iida has built in his mansion which erupts in sound if an intruder steps on it. Part of Takeo's training is to negotiate the floor without making a sound and thus reach Iida in his sleep and slay him. From the moment it is described, you wait in delicious anticipation for this to happen. It never does. That probably is the biggest flaw in this otherwise enchanting book. The ending is a copout.


All in all, one of the best and most original fantasy series in recent memory. Wonder why nobody is making a movie yet.
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It arrived on the scene with the hush excitement of greatness. This was not some drab marketing gimmick like Harry Potter, this was a literary novel. It popped out like Athena, fully-formed, from the author's head where it had been festering for 10 long years. Everybody had thought the habit of reading was dead or in the last pangs of dying; if it was still alive it was thanks to a few nerdy types who collect in foul-smelling universities, those last bastions of culture which valiantly fight to survive the marauding forces of capitalism. And then Harry Potter came along and everybody started reading like there was no tomorrow. We had thought people stuffed to their ears with the paraphernalia of decadent capitalism wouldn't read and they were reading and how. Clearly, fantasy was the way to go but not the ersatz magic of Harry Potter but real magic, the real magic of those strange woods of pre-glasnost. And I the sinner, who had been seduced by dark forces of Potterish Capitalism was willing to be redeemed by reading this novel.



It is 1807's England and magic is tragically dead though the magicians are not. They form societies and read papers and are content to remain gentleman-magicians " which is to say they had never harmed any one by magic—nor ever done anyone the slightest good". Now a rogue magician called Mr.Norrell comes along who actually believes that he can do magic. What arrogance! Anyway to prove his point to doubting Thomases, he raises a few statues off their bases and makes a lot of sound and noise. It is clear Magic is back in England.



Norrell's nemesis soon comes in the form of Jonathan Strange, a country gentleman who has cultivated his magic on his own and not from reading books like Mr.Norrell. Mr.Norrell accepts Mr. Strange as his pupil but it immediately become clear that their ideas of magic differ widely until it becomes a schism worth of Rimbaud-Verlaine or George Sand- Musset, if only half so romantic. But that's much later.




Meanwhile, magic is coming back to England; the woods are advancing; the fairies are seizing the beautiful; and there are dark whispers that the Raven King is about to return. Meanwhile, there are such drab things called wars; Great Britain is plagued by Napoleon on the continent and it desperately requires the service of its magicians which Mr.Strange is only too happy to provide. While he is busy battling on the dark forces abroad, his own sweetheart is abducted by the fairies. If you think this would provide the book with the much-needed twist, you are mistaken. The abduction is required only to negate the false comforts offered by the fairies. The true revolution will be brought forth only by the True King of England. And the Raven King returns, only he is black.



There is nothing wrong in a Black King of Britain of course but it now becomes now clear why this magic is so real when Harry Potter is only ersatz. This magic is real because it allows us to contemplate the victory of Social Justice which is an adult adult virtue instead of making us regress to latency-period fantasies which is what Harry Potter does with us childish adults.



If you haven't felt the aw-shiver at such a prospect and found the narrative unremittingly dull, the magic phony, the story lackadaisical, well you are still in your latency period.



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